Beautifully flowing shapes that overlap and intertwine. Created by Lillian Schwartz using an early joystick-based interface and filmed directly from color television. Music by Vladimir Ussachevski.

“As expert hands in the complex techniques of integrating the computer and animation, L. Schwartz makes fascinating use of exotic, flowing forms, colors and electronic music in METATHESIS.”- A. H. Weiler, N. Y. Times. Changing parameters on mathematical equations by John Chambers. Music by Joe Olive. Whitney Museum of American Art, and the Kennedy Center in Washington.

One of the first computer-generated visuals for film, recorded directly from a color TV monitor. All film and visuals by Lillian Schwartz. Accompanied with computer-generated music by Emmanuel Ghent.

Mathematical functions by John Chambers are the basis for a science film on contour plots and an art film created by Lillian Schwartz. Music by Max Mathews. Both films are shown simultaneously at a two screen production for an IEEE conference in NYC, Beauty in Science & Art. Recent screening at the Museum of Modern Art, New York, December 10, 2012.

Music by F. Richard Moore. A playful concoction of computer produced images, a few hand-animated scenes and shots of lab equipment. Made largely from left-overs from scientific research. Whitney Museum of American Art.